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<title>About Art History</title>
<link>http://arthistory.about.com/</link>
<description>Art History</description>


	<item>
	<title>Adieu, Jeanne-Claude (1935-2009)</title>
	<link>http://arthistory.about.com/b/2009/11/19/adieu-jeanne-claude-1935-2009.htm</link>
	<description>&lt;a href=&quot;http://arthistory.about.com/cs/namescc/p/christo.htm&quot;&gt;&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/X/u/jeanne-claude_christo.jpg&quot; alt=&quot;Image © Stephen Chernin/Getty Images; used with permission&quot; hspace=&quot;5&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;

&lt;p&gt;The family of artists Christo and Jeanne-Claude announced early today that Jeanne-Claude died Wednesday night in New York City after suffering a ruptured brain aneurysm and its medical complications. Jeanne-Claude became more of a &quot;name&quot; in the media during 2005's &lt;em&gt;&lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/od/special_events/ss/christo_gates.htm&quot;&gt;The Gates&lt;/a&gt;&lt;/em&gt; installation in Central Park, but she had always worked in tandem with the more famous &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/cs/namescc/p/christo.htm&quot;&gt;Christo&lt;/a&gt;. Their &quot;wrapping&quot; and large-scale outdoor projects are certainly well known in artistic circles: &lt;em&gt;Wrapped Coast&lt;/em&gt;, Little Bay (1969), &lt;em&gt;Running Fence&lt;/em&gt;, Sonoma and Marin Counties (1976), &lt;em&gt;Surrounded Islands&lt;/em&gt;, Biscayne Bay (1983) and &lt;em&gt;The Umbrellas&lt;/em&gt;, Japan-U.S. (1991) are just a few of the projects whose titles bring a nod of recognition.&lt;/p&gt;

&lt;p&gt;Jeanne-Claude Denat de Guillebon was born to a French military family in Casablanca on June 13, 1935--supposedly the same day that Christo Vladimirov Javacheff was born in Gabrovo, Bulgaria. The couple met in Paris in 1958, and spent the next 51 years in an artistic, business, matrimonial and parental partnership. It is difficult to contemplate &lt;em&gt;not&lt;/em&gt; seeing them together. For those of us wondering what will become of the planned &lt;em&gt;&lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.christojeanneclaude.net/otr.shtml&quot;&gt;Over the River&lt;/a&gt;&lt;/em&gt; and &lt;em&gt;&lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.christojeanneclaude.net/mast.shtml&quot;&gt;Mastaba&lt;/a&gt;&lt;/em&gt; projects, the artists' website simply and poignantly says this:

&lt;blockquote&gt;&quot;Christo is deeply saddened by the passing of his wife, partner and collaborator and is committed to honor the promise they made to each other many years ago: The art of Christo and Jeanne-Claude will continue.&quot;&lt;/blockquote&gt;

&lt;p&gt;I've heard gossip, over the years, that Jeanne-Claude could be either the soul of graciousness or the &quot;enforcer&quot; of the duo--a small woman with a short temper and unapologetically, unnaturally Fauve-orange hair who'd crack the whip on installation sites, keep track of finances and grant (or not) media access to Christo. I don't know if the gossipers were accurate in their recollections, but I hope they were and here's why: &lt;em&gt;good for her&lt;/em&gt; if she took on those roles. It's quite the rare Venn diagram where an artist not only makes art, but understands money, public relations and how to act like a field marshal while protecting another artist's productive time--especially another artist whose fame is greater. I'm happy thinking that Jeanne-Claude eventually got due recognition for being at &lt;em&gt;least&lt;/em&gt; half of the artistic process the world thinks of as &quot;Christo,&quot; so will say it again: &lt;strong&gt;good for her&lt;/strong&gt;.

&lt;p&gt;&lt;strong&gt;Related Reading:&lt;/strong&gt;&lt;/p&gt;

&lt;ul&gt;&lt;li&gt; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/cs/namescc/p/christo.htm&quot;&gt;Christo Bio&lt;/a&gt;&lt;/li&gt;
&lt;li&gt; &lt;em&gt;&lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/od/special_events/ss/christo_gates.htm&quot;&gt;The Gates&lt;/a&gt;&lt;/em&gt;, 2005 - A Short Walking Tour&lt;/li&gt;
&lt;li&gt; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.christojeanneclaude.net/index.shtml&quot;&gt;Christo and Jeanne-Claude&lt;/a&gt; - Official Website&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;&lt;strong&gt;Image caption&lt;/strong&gt;: &lt;em&gt;Artists Jeanne-Claude and husband Christo, recipients of the Peopling of America Award, address the audience during the awards ceremony on Ellis Island April 19, 2005 in New York City. © Stephen Chernin/Getty Images&lt;/em&gt;&lt;/p&gt;&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/19/adieu-jeanne-claude-1935-2009.htm"&gt;Adieu, Jeanne-Claude (1935-2009)&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Thursday, November 19th, 2009 at 18:19:58.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/19/adieu-jeanne-claude-1935-2009.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/19/adieu-jeanne-claude-1935-2009.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/11/19/adieu-jeanne-claude-1935-2009.htm&amp;zItl=Adieu, Jeanne-Claude (1935-2009)"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-11-19T18:19:58Z</dc:date>
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	<title>Wordless Wednesday - St Mary Magdalene in a Landscape</title>
	<link>http://arthistory.about.com/b/2009/11/18/wordless-wednesday-volume-42-st-mary-magdalene-in-a-landscape.htm</link>
	<description>&lt;a href=&quot;http://arthistory.about.com/od/from_exhibitions/ig/cranach_stadel/&quot;&gt;&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/V/u/lce1107_12_WW.jpg&quot; alt=&quot;© Wallraf-Richartz-Museum &amp;#038; Fondation Corboud, Köln; used with permission&quot; hspace=&quot;5&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;
&lt;br /&gt;&lt;br /&gt;
Lucas Cranach the Elder (German, 1472-1553)&lt;br /&gt; 
&lt;strong&gt;St. Mary Magdalene in a Landscape&lt;/strong&gt;, 1525&lt;br /&gt; 
Mixed media on beechwood&lt;br /&gt; 
47.8 x 30 cm (18 13/16 x 11 13/16 in.)&lt;br /&gt;
© Wallraf-Richartz-Museum &amp;#038; Fondation Corboud, Köln
&lt;br /&gt;&lt;br /&gt;
See more &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://collectibles.about.com/od/valuableresources/a/wordlesswednes.htm&quot;&gt;Wordless Wednesdays on About&lt;/a&gt;&lt;br /&gt;&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/18/wordless-wednesday-volume-42-st-mary-magdalene-in-a-landscape.htm"&gt;Wordless Wednesday - St Mary Magdalene in a Landscape&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Wednesday, November 18th, 2009 at 00:42:41.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/18/wordless-wednesday-volume-42-st-mary-magdalene-in-a-landscape.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/18/wordless-wednesday-volume-42-st-mary-magdalene-in-a-landscape.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/11/18/wordless-wednesday-volume-42-st-mary-magdalene-in-a-landscape.htm&amp;zItl=Wordless Wednesday - St Mary Magdalene in a Landscape"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:subject></dc:subject>
	<dc:date>2009-11-18T00:42:41Z</dc:date>
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	<item>
	<title>Edvard Munch a Hit With Art Thieves</title>
	<link>http://arthistory.about.com/b/2009/11/17/edvard-munch-a-hit-with-art-thieves.htm</link>
	<description>&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/U/u/munch_historien.jpg&quot; hspace=&quot;5&quot; border=&quot;0&quot; /&gt;
&lt;p&gt;Another year, another smash and grab in Oslo, another &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.nytimes.com/2009/11/14/arts/design/14arts-MUNCHWORKISS_BRF.html&quot;&gt;Munch theft&lt;/a&gt;. One might be forgiven for wondering if Norwegian art thieves have ever heard of Frits Thaulow, Erik Werenskiold or the more modern Gunnar S? Odd Nerdrum, even? Anyone &lt;em&gt;besides&lt;/em&gt; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/cs/namesmm/p/munch.htm&quot;&gt;Edvard Munch&lt;/a&gt;? If these robbers are all Norwegian citizens, they (or, more likely, the people for whom they are working) show a sad lack of cultural awareness. (Yes, and also a willful disregard of the law. And ignorance of mortal sin. And so on.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Image Credit&lt;/strong&gt;:&lt;/p&gt;
Edvard Munch (Norwegian, 1863-1944)&lt;br /&gt;
&lt;strong&gt;Historien&lt;/strong&gt; (&lt;strong&gt;History&lt;/strong&gt;), 1914&lt;br /&gt;
Lithograph with hand coloring&lt;br /&gt;
57 x 98 cm (22 7/16 x 38 9/16 in.)&lt;br /&gt;&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/17/edvard-munch-a-hit-with-art-thieves.htm"&gt;Edvard Munch a Hit With Art Thieves&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Tuesday, November 17th, 2009 at 23:56:40.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/17/edvard-munch-a-hit-with-art-thieves.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/17/edvard-munch-a-hit-with-art-thieves.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/11/17/edvard-munch-a-hit-with-art-thieves.htm&amp;zItl=Edvard Munch a Hit With Art Thieves"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-11-17T23:56:40Z</dc:date>
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	<item>
	<title>Wordless Wednesday - Doe: a Deer. A Female Deer.</title>
	<link>http://arthistory.about.com/b/2009/11/11/wordless-wednesday-volume-41-doe-a-deer-a-female-deer.htm</link>
	<description>&lt;a href=&quot;http://arthistory.about.com/od/special_exhibitions/l/bl_mayakings_sprev.htm&quot;&gt;&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/F/u/maya_kings_05_WW.jpg&quot; alt=&quot;Arqueológicas, Copan, Honduras / Photo © INAH, Centro Regional de Investigaciones; used with permission&quot; hspace=&quot;5&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt;
Photo © INAH, Centro Regional de Investigaciones
&lt;br /&gt;&lt;br /&gt;
(While they distilled alcohol, I am fairly certain that members of the Mayan culture didn't carry firearms, wear safety orange or need special permits to take antlerless deer. In fact, some Mayan artisan actually &lt;em&gt;saluted&lt;/em&gt; this doe in ceramic form. That said, happy firearms deer season to you hunters who will go sit out in the predicted freezing rain before sunup next Monday. &lt;strong&gt;P.S.&lt;/strong&gt;: Never make fun of art historians for incomprehensible pursuits, all right? Ever again. You know who you are. And I know where you've plugged your campers' extension cords into our household outlets.)
&lt;br /&gt;&lt;br /&gt;
See more &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://collectibles.about.com/od/valuableresources/a/wordlesswednes.htm&quot;&gt;Wordless Wednesdays on About&lt;/a&gt;&lt;br /&gt;&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/11/wordless-wednesday-volume-41-doe-a-deer-a-female-deer.htm"&gt;Wordless Wednesday - Doe: a Deer. A Female Deer.&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Wednesday, November 11th, 2009 at 01:01:52.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/11/wordless-wednesday-volume-41-doe-a-deer-a-female-deer.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/11/wordless-wednesday-volume-41-doe-a-deer-a-female-deer.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/11/11/wordless-wednesday-volume-41-doe-a-deer-a-female-deer.htm&amp;zItl=Wordless Wednesday - Doe: a Deer. A Female Deer."&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-11-11T01:01:52Z</dc:date>
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	<item>
	<title>In Which the Definitions of "Arts" and "Humanities" Confuse Me</title>
	<link>http://arthistory.about.com/b/2009/11/03/in-which-the-definitions-of-arts-and-humanities-confuse-me.htm</link>
	<description>&lt;p&gt;So, today the &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.pcah.gov/&quot;&gt;President's Committee on the Arts and Humanities&lt;/a&gt; named 26 nominees to this largely ceremonial post. Which is cool because, hey! It's honestly thrilling to see a guy so busy trying to find a large enough tow truck to pull the US economic bus out of the ditch give even a passing nod towards something so crucial (to some of us) as the Arts and Humanities. And the Honorary Chairman of the PCAH is First Lady Michelle Obama, a lovely, genuine human being with larger issues on her agenda. Please don't suppose that &lt;em&gt;I&lt;/em&gt; suppose Barack and Michelle Obama stayed up late over the course of several nights agonizing over this list like a State dinner seating chart, because I'm not, quite, that stupid. However.&lt;/p&gt;
&lt;p&gt;I've read over the &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://plusmood.com/2009/11/president-obamas-committee-on-the-arts-and-humanities/&quot;&gt;official list&lt;/a&gt;, and can't help but notice that the roster reads more-or-less thusly: actor, actor, actor, actor, cellist, architect, playwright, jazz underwriter, film producer, Senator's wife, Senator's billionairess wife, Editor in Chief of &lt;em&gt;VOGUE&lt;/em&gt; (I kid you not), ballet dancer and publicist. There are a lot of names, but none of them belong to visual artists, museum directors, gallery owners or, indeed, anyone who huffs paint fumes, cuts mats, welds or chisels for a living. By the way, a BOATLOAD of visual artists were on board for our current President during the election campaign that ended one short year ago.&lt;/p&gt; 
&lt;p&gt;Speaking from long and expensive experience, the &quot;Arts&quot; and &quot;Humanities&quot; include visual art. (If there are some new definitions of these words, I am going to attempt to retroactively sue a few undergraduate programs for my BFA.) Making visual art, studying visual art and preserving visual art are the lives' works of some US citizens who deserve both respect and recognition. As mentioned, these are largely ceremonial posts ... but how's about a tiny hat tip to the discipline solely devoted to one of our five senses on the next go-round, PCAH?&lt;/p&gt;&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/03/in-which-the-definitions-of-arts-and-humanities-confuse-me.htm"&gt;In Which the Definitions of "Arts" and "Humanities" Confuse Me&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Tuesday, November 3rd, 2009 at 23:35:14.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/03/in-which-the-definitions-of-arts-and-humanities-confuse-me.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/03/in-which-the-definitions-of-arts-and-humanities-confuse-me.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/11/03/in-which-the-definitions-of-arts-and-humanities-confuse-me.htm&amp;zItl=In Which the Definitions of "Arts" and "Humanities" Confuse Me"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-11-03T23:35:14Z</dc:date>
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	<item>
	<title>Mr. Art Critic on DVD</title>
	<link>http://arthistory.about.com/b/2009/11/02/mr-art-critic-on-dvd.htm</link>
	<description>&lt;a href=&quot;http://arthistory.about.com/od/reference_and_reading/fr/mrartcritic.htm&quot;&gt;&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/D/u/mr_art_critic_cover_blog.jpg&quot; alt=&quot;Image © Brauer Productions, Inc.; used with permission&quot; hspace=&quot;5&quot; border=&quot;0&quot; align=&quot;right&quot; /&gt;&lt;/a&gt; The independent film &lt;em&gt;Mr. Art Critic&lt;/em&gt; was released on DVD a couple of weeks ago. Now, normally I don't &quot;do&quot; video reviews, but this opportunity was too good to pass up for several reasons. First, I have an extremely short, top secret list of art critics whose reviews I love to loathe and so was wondering if this comedy might shed some light on their ceaseless causticity. (The answer: not really; this isn't a documentary.) 
&lt;p&gt;Secondly, I was curious to see a comedic treatment applied to the terribly, terribly serious business of reviewing gallery shows and juried competitions. We've probably all seen works--and audience behavior--at both that required muffled coughing of us to stifle fits of inappropriate laughter, and we've doubtlessly all read reviews that seemed to be written about a completely different event. Could &lt;em&gt;Mr. Art Critic&lt;/em&gt; deliver a solid 90 minutes built around these inside jokes? (The answer: yes. Deliciously so.)&lt;/p&gt;
&lt;p&gt;Finally (upcoming shameless plug warning), aside from some opening footage shot in Chicago and a highway montage, &lt;em&gt;Mr. Art Critic&lt;/em&gt; was filmed on location in Traverse City and Mackinac Island, Michigan. Richard Brauer, who wrote and directed the movie, lives and works in the area, and nearly all of the cast and crew are Michiganders. As am I. We share a beautiful corner of the Wolverine State, and I'm delighted to think of you viewing scene after scene of one of the most charming, picturesque spots we have to offer: Mackinac Island. If you've never visited, we all hope that you will.&lt;/p&gt; 
&lt;b&gt;For Your Reading and Viewing Pleasure:&lt;/b&gt;
&lt;ul&gt;&lt;li&gt; &lt;em&gt;Mr. Art Critic&lt;/em&gt; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/od/reference_and_reading/fr/mrartcritic.htm&quot;&gt;review&lt;/a&gt;&lt;/li&gt;
&lt;li&gt; &lt;em&gt;Mr. Art Critic&lt;/em&gt; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.brauer.com/pages/prod/cinema/mr_art_critic/mac_vt.html&quot;&gt;trailer&lt;/a&gt;&lt;/li&gt;
&lt;li&gt; Brauer Productions, Inc. &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.brauer.com/index.html&quot;&gt;website&lt;/a&gt;&lt;/li&gt;
&lt;li&gt; The &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.mackinacisland.org/&quot;&gt;Mackinac Island Tourism Bureau&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/02/mr-art-critic-on-dvd.htm"&gt;Mr. Art Critic on DVD&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Monday, November 2nd, 2009 at 03:13:48.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/02/mr-art-critic-on-dvd.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/11/02/mr-art-critic-on-dvd.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/11/02/mr-art-critic-on-dvd.htm&amp;zItl=Mr. Art Critic on DVD"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-11-02T03:13:48Z</dc:date>
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	<item>
	<title>Wordless Wednesday - Two Witches</title>
	<link>http://arthistory.about.com/b/2009/10/28/wordless-wednesday-volume-40-two-witches.htm</link>
	<description>&lt;a href=&quot;http://arthistory.about.com/od/namesgg/l/bl_grien.htm&quot;&gt;&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/C/u/grien_witches_ww.jpg&quot; alt=&quot;Städel Museum, Frankfurt am Main / Photo © Ursula Edelman; used with permission&quot; hspace=&quot;5&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt;
Hans Baldung Grien (German, 1484/85-1545)&lt;br /&gt;
&lt;strong&gt;Zwei Hexen&lt;/strong&gt; (&lt;strong&gt;Two Witches&lt;/strong&gt;), 1523&lt;br /&gt;
Oil and tempera on limewood&lt;br /&gt;
65.3 x 45.6 cm (25 11/16 x 17 15/16 in.)&lt;br /&gt;
Städel Museum, Frankfurt am Main&lt;br /&gt;
Photo © Ursula Edelman
&lt;br /&gt;&lt;br /&gt;
(If you are looking for subtlety here, forget about it. During the Northern Renaissance, witches were portrayed as evil women. Malevolent, naked, seductive women. Sinister, smirking, Fall of Man-causing women. Much like Eve in the Book of Genesis, minus the mitigating Satan/serpent flimflam factor. You can read all about this I-wish-I-could-say-it-no-longer-exists mindset here in &quot;&lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/od/namesgg/l/bl_grien.htm&quot;&gt;Christian Imagery and Witchcraft in Prints by Hans Baldung Grien&lt;/a&gt;&quot; by Stan Parchin.)
&lt;br /&gt;&lt;br /&gt;
See more &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://collectibles.about.com/od/valuableresources/a/wordlesswednes.htm&quot;&gt;Wordless Wednesdays on About&lt;/a&gt;&lt;br /&gt; &lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/28/wordless-wednesday-volume-40-two-witches.htm"&gt;Wordless Wednesday - Two Witches&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Wednesday, October 28th, 2009 at 02:45:25.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/28/wordless-wednesday-volume-40-two-witches.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/28/wordless-wednesday-volume-40-two-witches.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/10/28/wordless-wednesday-volume-40-two-witches.htm&amp;zItl=Wordless Wednesday - Two Witches"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-10-28T02:45:25Z</dc:date>
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	<item>
	<title>An Atypical Art Theft Investigation Ending</title>
	<link>http://arthistory.about.com/b/2009/10/24/an-atypical-art-theft-investigation-ending.htm</link>
	<description>&lt;p&gt;Remember that art theft over a month ago, where an entire &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/b/2009/09/12/andy-warhols-athlete-series-leaves-arena.htm&quot;&gt;Warhol series went missing&lt;/a&gt;? And how there was a $1 million reward for information leading to their recovery? Well, we can all kiss the promise of reward money goodbye. The insurance company withdrew it about 10 minutes after collector Richard L. Weisman withdrew his claim. &quot;Withdrew his &lt;em&gt;insurance claim&lt;/em&gt;?&quot; I can almost hear you ask (as I did). Yes. It went something like this:&lt;/p&gt;

&lt;ul&gt;&lt;li&gt; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.theartnewspaper.com/articles/Owner-cancels-insurance-claim-on-his-missing-Warhol-Athletes-set/19609&quot;&gt;Owner withdraws insurance claim worth up to $25 million&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt; The LAPD Art Theft Detail, somewhat untactfully, publicly remarks that this is a &quot;curious&quot; move.&lt;/li&gt;
&lt;li&gt; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://latimesblogs.latimes.com/lanow/2009/10/collector-who-reported-warhol-painting-stolen-has-tough-words-for-lapd.html&quot;&gt;Owner takes umbrage&lt;/a&gt; at LAPD Art Theft Detail remarks.&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;Annnnd ... well, that's it. All quiet on the Weisman front ever since. Apparently, when Richard L. commissioned the &lt;em&gt;&lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/od/lost_and_found/ig/weisman_warhol_theft/&quot;&gt;Athlete Series&lt;/a&gt;&lt;/em&gt; he bought something like eight sets of them. Perhaps it's just a small matter to get replacements out of storage. And +/- $11 million possibly isn't the make-or-break point of his personal checking account, as +/- $11 can be at my house. Who knows? Not me! In my next life, I'm going to attach myself to a Rich Person as soon as I'm old enough to properly say the words, &quot;Please, kind sir. Take me in and teach me the ways of your people.&quot;&lt;/p&gt;&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/24/an-atypical-art-theft-investigation-ending.htm"&gt;An Atypical Art Theft Investigation Ending&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Saturday, October 24th, 2009 at 21:21:15.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/24/an-atypical-art-theft-investigation-ending.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/24/an-atypical-art-theft-investigation-ending.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/10/24/an-atypical-art-theft-investigation-ending.htm&amp;zItl=An Atypical Art Theft Investigation Ending"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-10-24T21:21:15Z</dc:date>
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	<item>
	<title>Fairey 'Fesses, Defense Decamps</title>
	<link>http://arthistory.about.com/b/2009/10/18/fairey-fesses-defense-decamps.htm</link>
	<description>&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/Y/n/hope_ww.jpg&quot; alt=&quot;Image © Shepard Fairey; used with permission&quot; border=&quot;0&quot; hspace=&quot;5&quot;&gt;

&lt;p&gt;So, if you've been playing the &lt;em&gt;HOPE&lt;/em&gt; home version all of these months, the latest on the &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/b/2009/07/14/new-twist-in-obama-hope-image-legal-kerfuffle.htm&quot;&gt;Shepard Fairey/Associated Press/Mannie Garcia hate triangle&lt;/a&gt; is that Shepard Fairey has apparently sabotaged his own Fair Use case. Depending on which news source you read, he either &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://www.theage.com.au/world/i-lied-poster-artist-admits-20091018-h2vw.html&quot;&gt;lied&lt;/a&gt;, &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://blogs.wsj.com/speakeasy/2009/10/17/obama-poster-artist-admits-he-submitted-false-images-in-legal-case/&quot;&gt;submitted false evidence&lt;/a&gt; or &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://latimesblogs.latimes.com/culturemonster/2009/10/shepard-fairey-admits-to-wrongdoing-in-associated-press-lawsuit.html&quot;&gt;made an error&lt;/a&gt; about which photograph was the basis for the &lt;em&gt;HOPE&lt;/em&gt; image, and then either panicked, forgot or neglected to mention one or more of the first three actions.&lt;/p&gt;

&lt;p&gt;Unfortunately for &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/od/namesff/p/fairey.htm&quot;&gt;Shepard Fairey&lt;/a&gt;, any one of the above nine possible combinations has made it practically impossible for his defense team, the &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://cyberlaw.stanford.edu/fair-use-project&quot;&gt;Fair Use Project&lt;/a&gt;, to continue to represent him in a court of law. (I take this to mean that we can all debate &quot;Fair Use&quot; from here to breakfast at the tops of our lungs but, when a client utters falsehoods under deposition, all bets are off. With this, I concur.)&lt;/p&gt;

&lt;p&gt;Fairey is &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://obeygiant.com/images/2009/10/LA1-28598-v2-Shepard_Fairey_Statement_Re__AP_Matter_10-16-09.pdf&quot;&gt;very sorry&lt;/a&gt;. I'm only sorry that this iconic image has been peripherally dragged through the mud. Regardless of whether this whole mess ends with a bang, whimper or court-mandated passings of damages hats, &lt;em&gt;HOPE&lt;/em&gt; will retain its place in history.&lt;/p&gt;

&lt;p&gt;Now, then. What of the photographer, Mannie Garcia's rights? These are conspicuously absent from the recent news articles. And what do you think? Let's discuss this, because there currently is no end to misinformation about this case, Marcel Duchamp, Andy Warhol, Shepard Fairey and the definition of &quot;derivative work&quot; floating around on the Internet.&lt;/p&gt;

&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/18/fairey-fesses-defense-decamps.htm"&gt;Fairey 'Fesses, Defense Decamps&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Sunday, October 18th, 2009 at 22:57:36.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/18/fairey-fesses-defense-decamps.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/18/fairey-fesses-defense-decamps.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/10/18/fairey-fesses-defense-decamps.htm&amp;zItl=Fairey 'Fesses, Defense Decamps"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-10-18T22:57:36Z</dc:date>
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	<item>
	<title>About That Newly Authenticated Leonardo Drawing</title>
	<link>http://arthistory.about.com/b/2009/10/15/about-that-newly-authenticated-leonardo-drawing.htm</link>
	<description>&lt;a href=&quot;http://arthistory.about.com/od/leonardo/ss/leonardo_la_bella_principessa.htm&quot;&gt;&lt;img src=&quot;http://z.about.com/d/arthistory/1/0/c/t/La_Bella_Principessa_blog.jpg&quot; alt=&quot;Image © Private Collection &amp;#038; Lumiere-Technology; used with permission&quot; hspace=&quot;5&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;
&lt;br /&gt;&lt;br /&gt;
It hit the news two days ago that leading Leonardo scholars had been vindicated on attributing The Drawing Formerly Known as &lt;em&gt;Young Girl in Profile in Renaissance Dress&lt;/em&gt; to the Renaissance Master. Why? Florentine fingerprints, Friends! You can read all about this &quot;new&quot; &lt;a href=&quot;http://clk.about.com/?zi=1/1hc&amp;#038;zu=http://arthistory.about.com/od/leonardo/ss/leonardo_la_bella_principessa.htm&quot;&gt;Leonardo drawing here&lt;/a&gt;, including links to abstracts and statements written by the experts involved.
&lt;br /&gt;&lt;br /&gt;
Suspected works by Leonardo are authenticated about once per century, so this is rather huge in The Art World. The only question I'm left asking is, &quot;At which young Sforza maiden do we seem to be looking?&quot; After reading (seemingly) endlessly, I've gotten my Biancas and Bianca Marias hopelessly confused...
&lt;br /&gt;&lt;br /&gt;
&lt;strong&gt;Image credit:&lt;/strong&gt;
&lt;br /&gt;&lt;br /&gt;
Attributed to Leonardo da Vinci (Italian, 1452-1519)&lt;br /&gt;
&lt;strong&gt;La Bella Principessa&lt;/strong&gt;, ca. 1480-90&lt;br /&gt;
Black, red and white chalk, pen and ink on vellum, with watercolor additions. Strengthened with oak panel backing.&lt;br /&gt; 23.87 x 33.27 cm (9 3/8 x 13 1/16 in.)&lt;br /&gt;
© Private Collection &amp;#038; Lumiere-Technology&lt;p style="background:#f5f3ef;border: 1px solid #d5d0bf;padding:.5em;"&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/15/about-that-newly-authenticated-leonardo-drawing.htm"&gt;About That Newly Authenticated Leonardo Drawing&lt;/a&gt; originally appeared on &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/"&gt;About.com Art History&lt;/a&gt; on Thursday, October 15th, 2009 at 23:57:54.&lt;/p&gt;&lt;p&gt;&lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/15/about-that-newly-authenticated-leonardo-drawing.htm"&gt;Permalink&lt;/a&gt; | &lt;a href="http://clk.about.com/?zi=1/1hc&amp;zu=http://arthistory.about.com/b/2009/10/15/about-that-newly-authenticated-leonardo-drawing.htm#gB3"&gt;Comment&lt;/a&gt; | &lt;a href="http://arthistory.about.com/gi/pages/shareurl.htm?PG=http://arthistory.about.com/b/2009/10/15/about-that-newly-authenticated-leonardo-drawing.htm&amp;zItl=About That Newly Authenticated Leonardo Drawing"&gt;Email this&lt;/a&gt;&lt;/p&gt;</description>
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	<dc:date>2009-10-15T23:57:54Z</dc:date>
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